che ti fa mia
I wanted to try to use colab’s piano in a way that wasn’t too disturbing, that didn’t scramble it too much from what it was. The bass is also his, came with. Thanks to colab for sharing those. The simple beat is from fourtrack, the EP from scomber, and the operatic vocals I heard used in a rock piece the other day and it was still strong in my mind how well they worked trans-genre so I thought I’d try them out in a bluesy setting. The only instrumental contribution I make is the strings. It’s probably still disturbing. I was feeling very blue when I did it. Interesting, even though I only assembled pre-existing music by others somehow the creative process still has a purging effect. I feel much better now.