All points in the earlier reviews are well taken and noted long ago: This is explorative work, it is classed under “experimental” because these compositions represent different experimental apparatus toward an eventual goal of total spam beautification — it’s not there yet, I have loads of ideas for variations on the ontological mapping, on projects based on intervals instead of modes, on other scales, different cues for dynamics … alas what I need is a job that doesn’t interfere with my work! So anyway, here’s another, more “lyrical” if you can call it that, and the generation has chosen some nice fonts for itself, and to settle one score, sorry mate, this is not, repeat NOT “random” music. This is lexically mapped ontological representations transcribing sound from another domain the way you might use colour to see gas composition and densities in a Hubble photo. It’s a very different animal from “random”.